 |
Hall 17 Mannerism and Reformed Mannerism
This
hall offers the visitor numerous paintings from the entire 16th century.The
most interesting in this group is certainly "Mary with Baby Jesus and
saints Francesco and Sebastiano", originally in the church of S.
Francesco. Experts today attribute it beyond any doubt to the Florentine
painter Jacopo di Giovanni di Francesco, also called Jacone, even though in
the past there was some doubt with tradition attributing it to Pontormo. Its
affinity to the style of this latter painter (the florentine master,
Pontormo) is evident, and it is an excellent example of the drammatic
expressionism which the Florentine school had brought to perfection around
mid 16th century. In comparison, the late work of Raffaellino del Colle,
"The Presentation of Mary in the Temple", originally in the church of S.
Maria delle Grazie, appears extremely superficial. It dates from 1560 and is
fully in the style of Vasari, to the point of having borrowed figures
painted by Vasari in his house at Arezzo. It is a quite typical example of
the mediocre mannerism prevalent in that period.
A painting to consider now is "The Laying of Hands" by the Florentine
painter Santi di Tito. It is a pannel originally painted for the church of
the Caritą and depicts Peter and John laying hands. Its style is calm and
austere with an abundance of naturalistic elements. It is a fine example of
reformed mannerism influenced by post-tridentine concepts. Though not
bearing any date, its style characteristics would set it around 1580. Upon
completion of its restoration, the enormous canvas painted by the florentine
artist Gregorio Pagani depicting "Mary with Baby Jesus Adored by Angels
and Saints" will be on exhibition in this hall. Completed in 1597, its
style conforms to the rigid retoric characteristic of the Counter-reform
period, far removed from the tension and elegance of the manneristic
language. Along with these central works, in the hall there are also some
small paintings from Florence and Siena that represent on a modest level the
styles set by the most influential painters of the first half of the 16th
century - Beccafumi, Sodoma, Andrea del Sarto, etc
  
|
 |
|